| ccm musical theatre program | |||||||||||||||
|
university of cincinnati
|
"the kind of talent that says:
'next stop ― broadway!'" | college-conservatory of music from the Cincinnati Enquirer |
|||||||||||||||
|
Whereas drama often relies on the spoken word for its effect, musical theatre encourages the use of other techniques to project dramatic ideas. It makes song, dance and gesture an essential part of the creative and interpretive process. So, in West Side Story Tony and Maria can sing of a better place "somewhere," in A Chorus Line Cassie can express her love of dance through movement and in The Fantasticks the Mute can move us to tears without saying a word. It is difficult to predict coming trends in musical theatre or to delineate the skills needed by the successful performers of the future. Broadway shows of the past decade have utilized a startling diversity of talents. Contact, The Phantom of the Opera, Starlight Express, City of Angels and Pacific Overtures have demanded of their casts powerful dance skills, operatic voices, prowess in roller-skating, jazz improvisation and a knowledge of the Kabuki stage, as well as the talent for capturing universal emotions in sound and movement. Today, a young performer wishing to pursue a career in musical theatre should be able to sing and dance and act with technical mastery and craft. And that is the minimum requirement! At CCM,
training in musical theatre is not about being famous or becoming a star. It
is about learning to work in ways that contribute positively to the art of
musical theatre. It is about freeing our own
creativity,
establishing a love of "the art in ourselves"
and building a lasting
appreciation
for the performing arts. |
|
|||||||||||||
|
Musical Theatre Program І University of Cincinnati College-Conservatory of Music І P O Box 210003 І Cincinnati І OH 45221 |
|
||||||||||||||