American Drama

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Essays And Playtexts
A-D

Cardullo, Bert. “On the Road to Tragedy: Mice, Candy, and Land in Of Mice and Men.” 16.1 (Winter 2007): 19-29.

Dietrick, Jon. “Making It “Real”: Money and Mimesis in Suzan-Lori Parks’s Topdog/Underdog.” 16.1 (Winter 2007): 47-74.

Abbotson, Joan. “Re–Visiting the Holocaust for 1980s Television: Arthur Miller’s Playing for Time.” 8.2 (Spring 1999): 61–78.

Albee, Edward. Exclusive: “The Hamlet Machine” (From the unpublished play Fragments). 2.2: (Spring 1993) 100–103.

——. “On Alan Schneider and Playwriting.” 1.2 (Spring 1992): 77–84.

Anderson, Donald. “Grounded Perceptions: Land and Value in Two Plays of the New England Decline.” 15.2 (Summer 2006): 1-29.

Appler, Keith. “Multicultural Theater and the White Physician.” 5.2 (Spring 1996): 57–75.

Andreach, Robert J. “The Maiden’s Prayer: Nicky Silver’s Chekhovian Play.” 11.2 (Summer 2002): 47–66.

Armbrecht, Thomas J.D. “Telling It Like It Isn’t: The Importance of the Non-dit in Green’s Sud.” 13.1 (Winter 2004): 46 –65.

Babcock, Granger. “‘What’s the Secret?’: Willy Loman as Desiring Machine.” 2.1 (Fall 1992): 59–83.

Bak, John S. “From ‘10’ to ‘Quarter Past Eight Foot’: Tennessee Williams and William Inge, 1957.” 7.1 (Fall 1997): 18–29.

Barbera, Jack. “The Emotion of Multitude and David Rabe’s Streamers.” 7.1 (Fall 1997): 50–66.

Barnett, Claudia. “Adrienne Kennedy and Shakespeare’s Sister” 5.2 (Spring 1996): 44–56.

Becker, Becky K. “Women Who Choose: The Theme of Mothering in Select Dramas.” 6.2 (Spring 1997): 43–57.

Bernard, Kenneth. “Bad Boy Foreman: Some Observations on Richard Foreman’s Bad Boy Nietzche!” 10.1 (Winter 2001): 87–90.

Bliss, Matt. “‘So happy for a time’: A Cultural Poetics of Eugene O’Neill’s Long Day’s Journey Into Night.” 7.1 (Fall 1997): 1–17.

Blumenthal, Anna S. “’More Stories Than the Devil Got Sinners’: Troy’s Stories in August Wilson’s Fences.” 9.2 (Spring 2000): 74–96.

Bradham, JoAllen. “Reprising The Glass Menagerie: William Inge’s My Son Is a Splendid Driver.” 11.1 (Winter 2002): 58–72.

Branca, R. Rene. “Melodrama, Convention, and Rape.” 14.1 (Winter 2005): 32–45.

Brewer, Gaylord. “He’s Still Falling: Wallace Shawn’s Problem of Morality.” 2.1 (Fall 1992): 26–58.

——. “Mamet’s Divided Magics: Communion and Duplicity in The Shawl, The Cryptogram, and Other Works.” 14.2 (Summer 2005): 16–38.

Bullock, Kurt. “Famous Last Words: The Disruptive Rhetoric of Historico-Narrative ‘Finality’ in Suzan-Lori Parks’ The American Play.” 10.2 (Summer 2001): 69–87.

Callens, Johan. “Remediation in David Mamet’s The Water Engine.” 14.2 (Summer 2005): 39–55.

Castellitto, George P. “ A. R. Ammons and Arthur Miller: Unexpected Metaphysical Connections.” 15.1 (Winter 2006): 74–84.

Centola, Steven R. “Arthur Miller and the Art of the Possible.” 14.1 (Winter 2005): 63–86.

——. “‘How to Contain the Impulse of Betrayal’: A Sartrean Reading of The Ride Down Mount Morgan.” 6.1 (Fall 1996): 14–28.

Collins Jerre. “Albee’s Who’s Afraid of Virginia Woolf?: The Issue of Originality.” 2.2 (Spring 1993): 50–75.

Combs, Robert. “Oh Those Kids!: Vanishing Childhood and Innocence in the Adults of William Inge.” 13.2 (Summer 2004) 64–81.

Detsi-Diamanti, Zoe. “Language of Assent: Republican Rhetoric and Metaphors of National Redemption in American Revolutionary Drama.” 13.1 (Winter 2004): 1 –30.

——. “The Metaphors of Freedom: Republican Rhetoric and Gender Ideology in Mercy Otis Warren’s Romantic Tragedies.” 8.1 (Fall 1998): 1–25.

Dieckmann, Suzanne Burgoyne. “Metatheatre as Antitheatre: Durang’s Actor’s Nightmare.” 1.2 (Spring 1992): 26–41.

Dunbar, Ann-Marie. “From Ethnic to Mainstream Theater: Negotiating ‘Asian American’ in the Plays of Philip Kan Gotanda.” 14.1 (Winter 2005): 15–31.