American Drama

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Essays And Playtexts
E-H

Fernandez Morales, Marta. “At War with John Wayne: Masculinity, Violence, and the Vietnam War in Emily Mann’s Still Life.” 16.1 (Winter 2007): 30-46.

Foster, Verna. “Nurturing and Murderous Mothers in Suzan-Lori Parks’s In the Blood and Fucking A.” 16.1 (Winter 2007): 75-89.

Elam , Harry J. “Ma Rainey’s Black Bottom: Singing Wilson’s Blues.” 5.2 (Spring 1996): 76–99.

Engle, Sherry D. “Desperately Seeking Poe: Sophie Treadwell’s Plumes in the Dust.” 6.2 (Spring 1997): 25–42.

Fallows, Randall. “Gentlemen’s Games & Witches Brews: Lillian Hellman’s Another Part of the Forest and the Emergence of Cold War Culture.” 13.2 (Summer 2004): 118–134.

Farrelly, Mark. “Rising From the Ashes of the Blacklist: Earl Robinson and Waldo Salt’s Sandhog, A Worker’s Musical.” 7.2 (Spring 1998): 73–91.

Finkelstein, Bonnie Blumenthal. “Albee’s Martha: Someone’s Daughter, Someone’s Wife, No One’s Mother.” 5.1 (Fall 1995): 51–70.

Folino-White, Ann. “In the Service of Man: Women and Racial Mobility in The Emperor Jones.” 13.2 (Summer 2004): 98–117.

Fordyce, William. “S. N. Behrman’s End of Summer in the Context of Moliere’s Tartuffe.” 2.1 (Fall 1992): 1–25.

Foster, Verna. “Sex, Power, and Pedagogy in Mamet’s Oleanna and Ionesco’s The Lesson.” 5.1 (Fall 1995): 36–50.

Frank, Haike. “The Instability of Meaning in Susan-Lori Parks’s The America Play.” 11.2 (Summer 2002): 4–20.

Fulk, Mark K. “Who Killed the Baker’s Wife?: Sondheim and Postmodernism.” 8.2 (Spring 1999): 42–60.

Geis, Deborah R. “Deconstructing (A Streetcar Named) Desire: Gender Re-citaton in Belle Reprieve.” 11.2 (Summer 2002): 21–31.

——. “Staging Hypereloquence: Edward Albee and the Monologic Voice.” 2.2 (Spring 1993): 1–11.

Giles, Freda Scott. .“Willis Richardson and Eulalie Spence: Dramatic Voices of the Harlem Renaissance.” 5.2 (Spring 1996): 1–22.

Gillan, Jennifer. “Staging a Staged Crisis in Masculinity: Race and Masculinity in Six Degrees of Separation.” 9.2 (Spring 2000): 50–73.

Gruesser, John. “Lies That Kill: Lorraine Hansberry’s Answer to Heart of Darkness in Les Blancs.” 1.2 (Spring 1992): 1–14.

Hadari, Atar. “The Failed Verse Theatre of Maxwell Anderson.” 8.2 (Spring 1999): 83–98.

Hamilton, Joan T. “Visible Power and Invisible Men in Clare Booth’s The Women.” 3.1 (Fall 1993): 31–53.

Hanson, Philip. “The Emperor Jones: Naturalistic Tragedy in Hemispheric Perspective.” 5.2 (Spring 1996): 23–43.

Harris, Andrew B. “All Over: Defeating the Expectations of the ‘Well–Made’ Play.” 2.2 (Spring 1993): 12–31.

Henderson, Desirée. “Mourning, Masculinity, and the Drama of the American Revolution.” 13.1 (Winter 2004): 31 –45.

Herrington, Joan. “August Wilson’s Jitney.” 8.1 (Fall 1998): 122–144.

Hurt, James. “Arthur Kopit’s Wings and the Languages of the Theater.” 8.1 (Fall 1998): 75–94.