American Drama

A-D | E-H | J-N | O-R | S-Z

Essays And Playtexts
J-N

Johnson, Jeff. “Gendermandering: Stereotyping and Gender Role Reversal in the Major Plays of William Inge.” 7.2 (Spring 1998): 33–50.

Johnson, Katie N. “Televising the Panopticon: The Myth of ‘Reality–Based’ TV.” 8.2 (Spring 1999): 1–26.

Johnson, Kenneth E. “Tina Howe’s Feminine Discourse.” 1.2 (Spring 1992): 15–25.

Jones, Jennifer. “A Fictitious Injustice: The Politics of Conservation in Maxwell Anderson’s Gods of the Lightning.” 4.2 (Spring 1995): 81–96.

Jordan, Mary Ellen. “Lyle Kessler’s Orphans and ‘The Father’s Breasts.’” 3.2 (Spring 1994): 71–88.

Kane, Leslie. “Dreamers and Drunks: Moral and Social Consciousness in Arthur Miller and Sam Shepard.” 1.1 (Fall 1991): 27–45.

Karell, Linda. “The Postmodern Author on Stage: Fair Use and Wallace Stegner.” 14.2 (Summer 2005): 70–89.

Kiefer, Daniel. “Angels in America and the Failure of Revelation.” 4.1 (Fall 1994): 21–38.

Kitts, Thomas, M. “An Argument for Boker’s Francesca da Rimini.” 3.2 (Spring 1994): 53–70.

Klaver, Elizabeth. “Ronald Ribman’s Buck, Unsolved Mysteries and the Television Simulators.” 7.1 (Fall 1997): 82–98.

Kolin, Philip C. “The Mutilated: Tennessee Williams’s Apocalyptic Christmas Carol.” 13.2 (Summer 2004): 82–97.

Konkle, Lincoln. “American Jeremiah: Edward Albee as Judgement Day Prophet in The Lady From Dubuque.” 7.1 (Fall 1997): 30–49.

——. “Puritan Paranoia: Tennessee Williams’s Suddenly Last Summer as Calvinist Nightmare.” 7.2 (Spring 1998): 51–72.

Kostelanetz, Richard. “Audio Comedy in America: 1950 to the Present.” 7.2 (Spring 1998): 24–32.

——. “The Radio Dramatist Norman Corwin.” 1.2 (Spring 1992): 42–60.

Larner, Daniel. “Anywhere But Home: The Life and Work of Barrie Stavis.” 4.1 (Fall 1994): 39–61.

Kuhn, John. “Getting Albee’s Goat: ‘Notes Toward a Definition of Tragedy.’” 13.2 (Summer 2004): 1–32.

Laurents, Arthur. “An Excerpt from Jolson Sings Again.” 12.1, 12.2 (Winter/Summer 2003): 111–122.

——. “An Excerpt from My Good Name.” 12.1, 12.2 (Winter/Summer 2003): 123–133.

Linde, Mauricio D. Aguilera. “Saroyan and the Dream of Success: The American Vaudeville as a Political Weapon.” 11.1 (Winter 2002): 18–31.

Lublin , Robert I. “Differing Dramatic Dynamics in the Stage and Screen Versions of Glengarry Glen Ross.” 10.1 (Winter 2001): 38–55.

Mafe, Diana Adesola. “Black Women on Broadway: The Duality of Lorraine Hansberry’s A Raisin in the Sun and Ntozake Shange’s for colored girls.” 15.2 (Summer 2006): 30-47.

Mann, Bruce J. “ Tennessee Williams and The Rose–Garden Husband.” 1.1 (Fall 1991): 16–26.

Martin, Robert A. “Arthur Miller’s After the Fall: ‘A Play About a Theme.’” 6.1 (Fall 1996): 73–88.

McFarland, Ron. “Dramatic Transformations of Evangeline.” 8.1 (Fall 1998): 26–49.

Meyers, Jeffrey. “Arthur Miller’s Outtakes.” 15.1 (Winter 2006): 85–88.

Miller, Gabriel. “Arthur Laurents Bibliography.” 12.1, 12.2 (Winter/Summer 2003): 52–55.

——. “Arthur Laurents Chronology.” 12.1, 12.2 (Winter/Summer 2003): 1–8.

——. “Clifford Odets’s and Elia Kazan’s ‘Mother’s Day’: A Lost Fragment of the Thirties.” 4.2 (Spring 1995): 17–35.

——. “‘Purpose Is But the Slave to Memory’: Clifford Odets, Elia Kazan, Arthur Miller, and the American Stage.” 1.1 (Fall 1991): 61–84.

——. “The Meaning Behind the Moon: The Plays of Arthur Laurents.” 12.1, 12.2 (Winter/Summer 2003): 9–51.

Minton, Gretchen E., and Ray Schultz. “Angels in America: Adapting to a New Medium in a New Millennium.” 15.1 (Winter 2006): 17–42.

Murphy, Brenda. “The Man Who Had All the Luck: Miller’s Answer to The Master Builder.” 6.1 (Fall 1996): 29–41.

Nadel, Alan. “The New Frontier, the Old West, and the Free World: The Cultural Politics of ‘Adult Western’ TV Dramas.” 7.2 (Spring 1998): 1–23.

Nester, Nancy L. “The Agoraphobic Imagination: The Protagonist Who Murders and the Critics Who Praise Her.” 6.2 (Spring 1997): 1–24.

Noe, Marcia. “Reconfiguring the Subject/Recuperating Realism: Susan Glaspell’s Unseen Woman.” 4.2 (Spring 1995): 36–54.

——. “Intertextuality in the Early Plays of Susan Glaspell and Eugene O’Neill.” 11.1 (Winter 2002): 1–17.

Noe, Marcia, and Robert Lloyd Marlowe. “Glaspell and Cook’s Suppressed Desires and Tickless Time: An Intertextual Critique of Modernity.” 14.1 (Winter 2005): 1–14.