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Essays And Playtexts
S-Z

Westgate, J. Chris. “Frustrated and Frustrating Lives: Women in O’Neill’s A Touch of the Poet.” 16.1 (Winter 2007): 1-18.

Saint, David. “’Hubbell, People ARE Their Principles.’” 12.1, 12.2 (Winter/Summer 2003): 137–139.

Sauer, David K. “George S. Kaufman’s Exploitation of Women (Characters): Dramaturgy and Feminism.” 4.2 (Spring 1995): 55–80.

Schafer, Carol. “David Auburn’s Proof: Taming Cinderella.” 15.1 (Winter 2006): 1–16.

Siegel, Robert. “The Metaphysics of Tennessee Williams.” 10.1 (Winter 2001): 11–37.

Silverstein, Marc. “’A Word By Which You Will Be Revealed:’ The Problem of Language in Will Eno’s Monologues.” 15.2 (Summer 2006): 61-90.

Silverstein, Marc. “A De/’Centering Exercise:’ Vision and Its Discontents in Gray’s Anatomy.” 13.2 (Summer 2004): 33–63.

——. “‘Any Baggage You Don’t Claim, We Trash’: Living With(in) History in The Colored Museum.” 8.1 (Fall 1998): 95–121.

Simerka, Barbara, and Christopher Weimer. “Tom Cruise and the Seven Dwarves: Cinematic Postmodernism in Abre los ojos and Vanilla Sky.” 14.2 (Summer 2005): 1–15.

Slethaug, Gordon E. “Chaotics and Many Degrees of Freedom in John Guare’s Six Degrees of Separation.” 11.1 (Winter 2002): 73–93.

Solomon, Rakesh H. “Crafting Script into Performance: Edward Albee in Rehearsal.” 2.2 (Spring 1993): 76–99.

Sondheim, Stephen. “A Toast to the Champion of High Comedy, Arthur Laurents.” 12.1, 12.2 (Winter/Summer 2003): 134–136.

Speranza, Tony. “Renegotiating the Frontier of American Manhood: Maxwell Anderson’s High Tor.” 5.1 (Fall 1995): 16–35.

Stafford , Tony J. “‘Gray Eyes Is Glass’: Image and Theme in The Member of the Wedding.” 3.1 (Fall 1993): 54–66.

——. “The Metaphysics of Rabe’s Hurlyburly: Staring into the Eyes of Providence.” 1.2 (Spring 1992): 61–76.

Streufert, Paul D. “The Revolving Western: American Guilt and the Tragically Greek in Sam Shepard’s Silent Tongue.” 8.2 (Spring 1999): 27–41.

Styan, J. L. “Chekhov and American Drama in the Early Twentieth Century.” 4.1 (Fall 1994): 3–20.

Tucker, Edward L. “Booth Tarkington, The Country Cousin, and Maud Howitt.” 8.1 (Fall 1998): 50–58.

Tuttle, Jon. “The Efficacy of Work: Arthur Miller and Albert Camus’ ‘The Myth of Sisyphus.’” 6.1 (Fall 1996): 61–72.

Üsekes, Çigdem. “’You Always Under Attack’: Whiteness as Law and Terror in August Wilson’s Twentieth-Century Cycle of Plays.” 10.2 (Summer 2001): 48–68.

Vacca, V. John. “Telling Women’s Lives: African–American One–Person Plays.” 6.2 (Spring 1997): 58–66.

van Itallie, Jean–Claude. “On Laughter.” 3.1 (Fall 1993): 87–91.

Voss, Ralph F. “Tennessee Williams’s Sweet Bird of Youth and William Inge’s Bus Riley’s Back in Town: Coincidences from a Friendship.” 15.1 (Winter 2006): 62–73.

Wattenberg, Richard. “Reworking the Frontier Captivity Narrative: William Vaughn Moody’s The Great Divide.” 9.2 (Spring 2000): 1–28.

Warrick, John. “Threats Without and Within: ‘The Americanization Front’ and the ‘Big Problem Plays’ of James Gow and Arnaud d’Usseau.” 13.1 (Winter 2004): 66–85.

Weales, Gerald. “Arthur Miller Takes the Air.” 5.1 (Fall 1995): 1–15.

Weller, Michael. “Helen Weinberger Address.” 1.1 (Fall 1991): 1–15.

Wertheim, Albert. “ Hollywood’s Moral Landscape: Clifford Odet’s The Big Knife.” 7.1 (Fall 1997): 67–81.

——. “The Dramatic Art of Uncle Sam: Government, Drama, and World War II.” 13.1 (Winter 2004): 86–119.

Wiley, Catherine. “Cherríe Moraga’s Radical Revision of Death of a Salesman.” 11.2 (Summer 2002): 32–46.

Wilson III, Raymond J. “Albee’s Who’s Afraid of Virginia Woolf?: The Issue of Originality.” 2.2 (Spring 1993): 50–75.

Witham, Barry. “Between Two Worlds: Elmer Rice Chairs the Thirties Debate.” 4.2 (Spring 1995): 1–16.

Wixson, Christopher. “Ragged Edges: The Curious Case of F. Scott Fitzgerald’s The Vegetable.” 15.2 (Summer 2006): 48-60.

Wixson, Christopher. “Everyman and Superman: Assimilation, Ethnic Identity, and Elmer Rice’s Counsellor–at–Law.” 8.1 (Fall 1998): 59–74.

——. “‘A Very Carefully Orchestrated Life’: Dramatic Representation of and by Zelda Fitzgerald.” 11.1 (Winter 2002): 32–57.