Faculty and students at UC’s College-Conservatory of Music are collaborating on innovative multimedia projects in the CCM Idea Lab. The cross disciplinary class explores technical, artistic and philosophical questions to create short performance pieces that showcase the work of students and faculty from CCM Lighting Design and Technology, Sound Design and Technology, Technical Direction, Stage Management, Dance, Acting, Voice, Musical Theatre and Media Production.
The CCM Idea Lab is made possible with support of UC Faculty Forward and has finalized five multimedia projects so far. Watch the CCM Idea Lab videos and learn more about the individual projects below. Two additional projects created with CCM Musical Theatre and Dance will be shot in February and shared later in the spring semester.
“The fundamental nature of CCM Idea Lab is collaboration and experimentation,” says Lighting Design and Technology Professor Sharon Huizinga. “Trying new technology in a high pressure, large production environment is daunting. In these small, contained projects we are able to try things that we are 70 or 80 percent sure will work, but not 100 percent sure.”
We all knew the limitations and challenges brought on [by the pandemic], but as artists we all wanted to express ourselves in a creative environment. That made this collaboration one of the best experiences in my career.
Donald Hancock, CCM Media Production Professor
CCM Idea Lab: "I Rise" explores perspective, featuring live camera interaction between the videographer and the actors on stage.
Huizinga began planning the CCM Idea Lab in May 2020. She was inspired by Night Fall, a virtual reality ballet done by the Dutch National Ballet. The ballet was shot with a 360-degree camera and Huizinga decided to explore how CCM could implement this technique into its curriculum and performances.
“We were all reeling from the onset of COVID-19 and wondering how we were going to continue creating and teaching, and this sparked a conversation about new technology and new possibilities,” she adds.
She formed a group with CCM professors Stirling Shelton (Technical Direction), Matt Tibbs (Sound Design and Technology), Amy Johnson (Voice), Vince DeGeorge (Musical Theatre and Opera) and Susan Felder (Acting). They did a series of small experiments over the summer using new projection and media equipment.
“What was so fantastic about working in the CCM Idea Lab is that we started each project with a question," DeGeorge says. "Without a clear end-goal in sight we brought this question to the entire Idea Lab group and began the brainstorming process together. This type of cross-disciplinary collaboration and experimentation was a completely new experience for the Musical Theatre freshmen who were members of the lab. I watch as our students went from being confused and overwhelmed to being excited and fully invested in the entire creative process. What an incredible educational experience this has been for all our students.”
Additional faculty members Richard Hess (Acting) and Donald Hancock (Media Production) later joined the CCM Idea Lab group to help create the projects. The CCM Idea Lab class officially launched in fall 2020, exploring various ways of storytelling in the time of COVID-19. The five completed projects each explore different themes like memory, perspective, multiplicity and engagement.
CCM Idea Lab's "“Lucia di Lammermoor” explores multiplicity, featuring a performance by CCM student Andi Tulipana, soprano.
“We shot these short pieces during the pandemic, which I feel brought out the best in everyone involved,” Hancock says. “We all knew the limitations and challenges brought on, but as artists we all wanted to express ourselves in a creative environment. That made this collaboration one of the best experiences in my career.”
Faculty and students collaborated on the series of safe, socially distanced performances that used a variety of technologies, including 360-degree cameras, in-ear monitors, live motion tracking and projection. Performance faculty directed students in short works of musical theatre, opera, dance and acting. Design and Technology faculty oversaw the creation of remote and in-person spaces that met social distancing requirements by using specialized cameras, microphones, projectors and other technology. Professors and students from CCM Media Production shot and edited the recordings of each work.
“I must applaud my colleagues, Richard Hess, Vince DeGeorge, Amy Johnson, Stirling Shelton, Shauna Steele and Sharon Huizinga for creating an inclusive environment for faculty and students to share and try something,” Hancock adds. “What this space provided was an intentional opportunity for collaboration utilizing the amazing talents within CCM. I'm proud of the work we accomplished, and I look forward to growing the lab moving forward.”
Watch the CCM Idea Lab videos on YouTube and learn more about each project below.
“It’s Good to See You Again” is an exploration of memory. Who owns memory? Do the other people in our memories own them as much as we do? What happens when we try and hang on to a memory? What happens to ourselves when we clutch to a past experience? What is the fear and reward of letting go?
The project features real time actor-media playback interaction. The production team wanted to experiment with getting an actor’s physical movements on stage to trigger certain video playback behaviors. They used a Kinect camera and touch designer to program certain movements to trigger playing back, stopping and starting, and fast-forwarding through the memory videos.
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“I Rise” is an exploration of perspective. What happens when we see one thing with our eyes and another thing via an interpreter and a screen? In this case, a live camera operator shows us the stage in black and white. We realize how our perspective is very dependent on where we are viewing a particular situation from, and how much reality and what we see can diverge according to how we are able to see it.
This project features live camera interaction that integrates a camera operator as a character into the storytelling. The very act of observation changes the outcome; Do we look at the camera feed or do we look at the live person? Or, do we look at the camera operator? The production team used touch designer to create the live capture and black and white filter. Actors perform an excerpt of Maya Angelou’s poem Still I Rise.
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This project features a performance of “Il Dolce Suono” (also known as the “mad scene”) from Gaetano Donizetti’s opera Lucia di Lammermoor. It explores multiplicity. We all contain multiplicity — we have an angry self, a contented self, a judgmental self, a kind self and more. This universe of multiplicity is largely hidden from each other — we see only a part of others and not the vast internal landscape. In this “mad scene” from Lucia di Lammermoor the production team makes multiplicity audible and visible as Lucia goes through waves of losing control and partially regaining it — experiencing trauma, regret, fear and a final internal implosion.
The project features multiple live video inputs with various filters. The production team wanted to experiment with having a live input camera filter Lucia’s image in multiple ways, increasing in complexity and occurrence and finally exploding into pixilation. They used Isadora by troikatronix for programming and playback. The project also features a single person lift.
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“Gold” started with a conversation around engagement and connection. We are used to having an audience to engage with and the loss is palpable. The production team wanted to explore creating an environment where that connection could be explored in different ways — by seeing the connection between musicians, by using a 360 camera to put a viewer in the middle of the performance, and by creating an enclosed environment that was like a bubble of connectedness with a small group.
The production team wanted to create an immersive experience for an audience on the other side of a screen, to allow them to sit in the middle of a cozy, warm circle of musicians and feel connected. They enclosed the circle of the Cohen Family Studio Theater by building replicas of the existing columns and by hanging golden lighting in a circle above the performers' heads. "Gold" has two versions; a VR experience and a multi-camera shoot with a curated point-of-view. The performance features Fergus O'Farrell's "Gold” from Glen Hansard and Markéta Irglová's musical Once.
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Featured image at the top: An image from the shoot of CCM Idea Lab's "Gold" project.
March 1, 2021
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February 24, 2021
In addition to the CCMONSTAGE Online series of digital concerts and performing arts productions, the UC College-Conservatory of Music is also presenting virtual performances through its CCMONSTAGE Archives companion series. Our newest installment in this ongoing series features the CCM Philharmonia student orchestra performing Antonín Dvořák's Serenade for Wind Instruments, Op. 44 (1878) and Joseph Haydn's Symphony No. 103 in E-flat Major, D. 944 (“Drumroll”) (1795). Led by Director of Orchestral Studies Mark Gibson, this archival performance footage was recorded in Corbett Auditorium on Sunday, Sept. 20, 2020.
February 24, 2021
Climbing the ranks in the research field isn’t easy. Doing it with a physical disability is even more difficult. But Christina Wicker is doing just that at the University of Cincinnati.
