CCM alumna wins second prize at Felix Mendelssohn International Conducting Competition

Ting, who was one of only two competitors to reach the finals, won second place with her performance of Symphony No. 3 (“Scottish”). In addition to a cash prize, Ting’s win included a performance of the “Scottish” Symphony on a subscription concert with the Karlovy Vary Symphony.

For young conductors, the opportunity to compete internationally is invaluable. “Competitions like [the Mendelssohn International Conducting Competition] help emerging conductors from around the globe get connected and bridge the gap between conservatory training and professional life,” remarks Ting.

Since graduating from CCM, Ting has been busy building a career throughout the United States. Upcoming performances include conducting the world premiere of Forsyth County is Flooding at the Atlanta Opera this summer and serving as assistant conductor for the Verdi Requiem at the Philharmonie Berlin. She has previously led ensembles including the BBC Concert Orchestra, Augusta Symphony, Rochester Philharmonic, Opera Philadelphia and Opera Orlando.

Off the podium, Ting is the founder of Girls Who Conduct, an organization which supports the training of women and non-binary conductors, and hosts The Conductors Podcast, which has been downloaded more than 11 thousand times.

Ting says her time at CCM prepared her for the Mendelssohn Competition. “The most important part of my conducting training at CCM was the amount and wide range of repertoire we were exposed to, which made my preparation for [the Mendelssohn Competition] a bit easier as I had learned most of the pieces during my time at CCM.” The repertoire for the concert presented a full-circle moment for the conductor. “I still have notes written by my teacher Professor Mark Gibson in my Weber score,” she says.

“CCM has such an abundance of conducting opportunities,” she continues. “During my time there, I conducted two fully-staged operas, conducted on Philharmonia and Concert Orchestra concerts, and organized my own chamber orchestra.”

For Ting, the rigor and collaborative spirit of CCM proved invaluable. “The ability to work with many highly-talented colleagues was such a blessing and an important part of a conductor’s training.”